Sunday, October 31, 2010

Movie Sunday: The Fifth Element is better than Citizen Kane


And before anyone starts, yes I've seen Citizen Kane, and I thought it was incredible. That's how much I like The Fifth Element.

If you haven't seen Citizen Kane, I highly recommend that you do. Then you can make up your own mind.  Not only is it probably the most beautiful film ever made in black and white, I don't know that there has ever been a more eloquent or poignant character study on film. It's a movie with the depth of a book, and just writing this makes me want to see it again.

Having said all that, it is a black and white story about a rich guy. Let's review what's in The Fifth Element:
  • space travel, pyramids, and Mangalores
  • ultimate evil
  • the perfect being*
  • a descendant of David Lee Roth (I'm pretty sure that's who that is)
  • a descendant of Prince (just guessing on this one)
  • a blue chick that can sing
  • so much shit blows up
It is almost the perfect blend of romantic comedy, action movie, and morality play. Milla Jovovich is yummy,  and as far as I can tell, not enhanced, injected, or overly pilate'd. The effects are no longer cutting edge, but it all still holds up pretty well.

I know it has Bruce Willis as the lead, but it's as much Moonlighting Bruce Willis as "yippi ki-yay motherfucker" Bruce Willis. It just works. Actually, it's just about perfect casting all around.

So let's review. Citizen Kane is widely regarded as the best film ever made. The Fifth Element is even better. See them both. Then tell me you don't want to visit Fhloston Paradise.


I'm pretty sure if I say "leeloodallasmultipass" one more time, Biscuit is going to brain me with a skillet. And I wouldn't blame her.

Wednesday, October 27, 2010

How to build a perfect day

I've had a lot of great days with wives, lovers and good friends. Some even by myself. But like a particularly shiny rhinestone on Dolly Parton, they may have a hard time standing out from the rest of the great days. I think to have a really perfect day, it has to stand alone, unexpected and unencumbered by context.

Image from here

And I'm not talking about perfect moments, like the birth of your child, or the time the guy in your school who looked like Ashton Kutcher kissed you in the closet at your older sister's party. Because the birth was preceded by twenty-seven hours of screaming and threats, and the Ashton look-alike never called again, even though you let him go under the shirt in the closet. See where I'm going here? Minimum six hours, all pleasant. No complications before or after. These are the rules.

I've had exactly three of these wonderful days, and after careful analysis, I have a hypothesis about how one could go about building one for oneself. Because that's what I do. Show me three unrelated food items and I will develop an hypothesis about how they would taste together in a pie. Also, I invoke really old-fashioned spelling and punctuation rules intermittently, and with no perceivable pattern. Anyway, here's my (I'll count when I'm done) rules for building a perfect day.

1. Be in high school. I can't stress this enough. Perfect days require a particular blend of energy, ignorance, and foolishness that should only be found in high school kids. If you are a grownup and still doing/believing/imagining this stuff, move out of your mom's basement and get a job. Or maybe enroll in community college. Either way, the important thing is to take off the cape, put down the bong, and join the rest of us in the real world. Oh, and if you're younger than high school age, you are really not old enough to participate in, or appreciate, the PG-13 type activities required, so you're disqualified. Sorry.

2. Go someplace unusual. Preferably someplace exotic. It doesn't have to be Phuket or Xanadu, but Six Flags or Colorado will work, for instance.

3. Ditch your parents, chaperones, or any boring or ugly friends. You're allowed no more than one wingman (or lady). I really shouldn't have to include that one, but some people just need everything spelled out for them.

4. Meet someone of the opposite sex who is probably out of your league, but just barely. It helps if they are a little bored. It can be someone of the same sex if that's how you prefer to roll. I guess. Never tried it, because it's not how I roll. Not that there's anything wrong with it. And now that I think of it, a perfect gay day may be completely different than what I'm thinking. If anyone has one of those, let me know how it goes, and I will try to develop a hypothesis.

5. Play. Shop in the straw market, ride roller coasters, or explore a frontier town together. Smile. Laugh. Hold hands. You know, the crap they stuff into montages in romantic comedies, accompanied by Beach Boys music, or upbeat indie love songs.

6. Make a fool of yourself. Sing to them, draw their picture, buy them a straw hat and pull it down on their head, or something equally ridiculous. If they don't push you down and laugh at you, this is how you know that you have left reality behind, and it's safe to go on to the next phase.

7. Unexpected deliciousness. Something that indicates you've both lost all common sense and inhibitions. None of my days involved sex, at least not by Presidential standards. But at least two involved things I never expected to do with girls I just met, especially without buying them dinner first. And all three were at least partly in semi-public. In fact, I think we probably need a corollary, or a lemma, or something.

7b. Inappropriate deliciousness in semi-public. Examples include behind the smokestack of the Carnival Mardi Gras, standing on the platform between two cars of the Durango-Silverton railroad, and behind the Spindletop at Six Flags Over Texas. This is just the right degree of naughtiness to ensure that there will be a little (but not too much) shame tossed in, which seems to be important for Americans to feel like they've enjoyed themselves.

8. Leave everyone wanting more. You're going to want a hard deadline. Let's face it, most of us lose our luster pretty quickly, and if someone is going to populate my fantasies, we need to hit it and quit it before they start telling me I would look better with long hair, or how I remind them of somebody famous but they can't think of who and it's going to drive them crazy all day.* Or how their college selection process is going, or what sort of car they hope they get for graduation. The park needs to close, ship dock, or train arrive while we both still think it's going great.

9. Never see them again.  This is really an extension of the last one, but I'm starting to feel like I can stretch this to ten rules, so I'm going for it. It's okay to write for a while, if you must, and you can stalk them on Facebook when you're older, but don't try to parlay this into any sort of relationship. First of all, it's never going to work, and you're just going to end up ruining a perfectly good memory. And no one wants to have to explain to their steady girlfriend or boyfriend why this person from Stone Mountain, Georgia, keeps calling their house.

10. Don't go back there. It's good not to return to the scene for at least twenty years, after everything has changed and you're not 100% sure you can recognize the place where all the fun happened. If you go back too soon, you're either going to put ridiculous expectations on yourself and whomever you're with for how much fun it's going to be, or you will see your original experience in the harsh light of reality, and realize that what actually happened is a mutual sexual assault between two underage strangers who were overcome by boredom and an unexpected blast of hormones. Great memories are like great wines. They definitely benefit from aging. And there is always some crap in the bottom of the bottle that you don't want to examine too closely.


*It's either Jeff Bridges or William Hurt. Let's move on.

Sunday, October 24, 2010

Movie Sunday: Butch Cassidy and the Sundance Kid is the best buddy movie ever


Picture from here

To be fair, one of the reasons I love Butch Cassidy and the Sundance Kid as much as I do is that it came out when I was the right age, so my best friend and I got to run around for about two years calling each other Butch and Sundance. Which was a little confusing, because half the other kids in my school were doing the same thing.

But what really makes this movie awesome is two things: Paul Newman and Robert Redford. In their primes. Late primes perhaps, by current Hollywood standards, but primes nonetheless. The chemistry between these two guys is unbelievable, and you've never seen four bluer eyes on a movie screen.* They may have put Katherine Ross in the movie just so we would know they were straight.

Like many other famous Hollywood duos, this pairing almost didn't happen. Newman was a big star by this point, and Redford was, well, no one's first choice. The original plan was for Steve McQueen to play Butch, and Newman would play Sundance. They were unable to come to terms about top billing, and McQueen dropped out. Jack Lemmon, Warren Beatty, and Marlon Brando were all considered, but the director lobbied for Redford over the studio's objections, and eventually prevailed. Otherwise, none of us would probably know who Robert Redford is today, and there would certainly not be a Sundance Film Festival.

The movie itself is light-hearted, and slick, and a little sentimental, like good buddy stories should be. It wasn't exactly ground-breaking, but was well-placed in its time. The cinematography is amazing for the sixties, and still really good by today's standards. It won a bunch of awards, and made a big bucket of money.

The film has a great cast from top to bottom,  a few really golden moments, a couple of taglines, and somebody gets kicked in the nuts. You've gotta love a movie where a big guy takes it in the jewels. Also, Redford grew what may very well be the best mustache of all time for the role. It's almost certainly why I grew one as early as I was able.

Some critics of the day were disappointed that George Roy Hill, the director, didn't make a more serious film, like The Wild Bunch or Bonnie and Clyde. I think the criticism is justified from one point of view. There are -- as Vincent Canby put it -- signs of another, better movie hidden behind this one. But it was 1969. Everyone was probably really stoned all the time, and they are lucky they managed to get the film in the camera the right way. And making a more serious movie probably would have required reining in the characters a little, like in The Sting.

Most of all, it's hard to argue with success. This film is still one of the best-loved westerns ever. The movie, and the relationship between its protagonists, has influenced hundreds of stories and characters over the years.  And even forty years later, it's still really enjoyable to watch, which is not something we can say for most movies made in the sixties. Or last year, for that matter. It's a great way to spend two hours with a buddy.


* These days anyone can have blue(ish) eyes. If you wanted blue eyes in 1969 you had to be born with them. And while Redford's eyes were certainly blue, Paul Newman's eyes were remarkable. They were a not insignificant part of his appeal.